Steely Dan – Everything Must Go
Label: |
Reprise Records – 603497849109 |
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Format: |
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Country: |
Worldwide |
Released: |
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Genre: |
Pop |
Style: |
Fusion |
Tracklist
| A1 | The Last Mall | 3:36 | |
| A2 | Things I Miss The Most | 3:58 | |
| A3 | Blues Beach | 4:27 | |
| A4 | Godwhacker | 4:57 | |
| A5 | Slang Of Ages | 4:14 | |
| B1 | Green Book | 5:55 | |
| B2 | Pixeleen | 4:00 | |
| B3 | Lunch With Gina | 4:25 | |
| B4 | Everything Must Go | 6:45 |
Companies, etc.
- Record Company – Warner Music Group
- Marketed By – Rhino Entertainment Company
- Manufactured For – Rhino Entertainment Company
- Phonographic Copyright ℗ – Reprise Records
- Copyright © – Reprise Records
- Copyright © – Freejunket Music
- Copyright © – Zeon Music
- Pressed By – Optimal Media GmbH – BJ83486
- Published By – Freejunket Music
- Published By – Zeon Music
- Published By – Len Freedman Music, Inc.
- Recorded At – Sear Sound
- Recorded At – Skyline Studios
- Recorded At – River Sound
- Recorded At – Hyperbolic Sound
- Recorded At – Bearsville Studios
- Mixed At – Presence Studios
- Mastered At – Sony Music Studios, New York City
- Lacquer Cut At – Bernie Grundman Mastering
Credits
- Arranged By [Horns] – Donald Fagen
- Composed By, Arranged By – Walter Becker
- Consultant [Horn Consultant] – Michael Leonhart
- Cover, Design – WB*
- Crew [Mr. Becker's Basses And Guitars] – Roger Sadowsky
- Design – Red Herring Design
- Edited By [Additional Editing] – Larry Alexander
- Engineer – TJ Doherty*
- Engineer [Assistant] – Todd Parker (2)
- Lacquer Cut By – CB*
- Management [Donald Fagen] – OK Management
- Management [Walter Becker] – Irving Azoff
- Mastered By [Mastering] – Darcy Proper
- Mixed By – Elliot Scheiner
- Mixed By [Mix Assistant] – Joe Peccerillo
- Photography By [Band] – Danny Clinch
- Photography By [Cover] – Photonica
- Photography By [Watches] – Sara Foldenauer
- Producer [Produced By] – Walter Becker
- Production Manager – Jill Dell'Abate
- Technician [Drum Tuning/Maintenance] – Artie Smith
- Technician [Equipment Maintenance] – Russell "Skip" Gildersleeve*
- Technician [Piano Tuning/Maintenance] – Sam Berd
- Transferred By [Digital Transfers] – Toy Specialists*
Notes
Record Store Day 2021 (June drops) release, 10,000 copies worldwide, 5,050 in USA.
Hype sticker, with both catalog numbers, on shrink:
"If the world is headed for a fall, as foreseen here . . . might as well go down in the most luscious live-tracked stereo civilization has ever achieved." -Rolling Stone
180-Gram
Issued with artwork, credits and lyrics.
Some copies with sticker on back cover shrink: Made in
℗ & © 2003 Reprise Records, a Warner Music Group Company. Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company. Made in .
Publisher on labels:
Published by Freejunket Music/Zeon Music ASCAP . by Len Freedman Music, Inc.
Publisher on insert:
© 2003 Freejunket Music/Zeon Music ASCAP . by Len Freedman Music, Inc.
Recorded at Sear Sound, NYC; Skyline Studios, NYC; River Sound, NYC; Hyperbolic Sound, Maui; Bearsville Studios, Bearsville NY.
Mixed at Presence Studios, Westport, CT.
Mastering: Sony Music Studios
Blue Note Records
In runouts, Optimal plating symbols are mirrored.
Hype sticker, with both catalog numbers, on shrink:
"If the world is headed for a fall, as foreseen here . . . might as well go down in the most luscious live-tracked stereo civilization has ever achieved." -Rolling Stone
180-Gram
Issued with artwork, credits and lyrics.
Some copies with sticker on back cover shrink: Made in
℗ & © 2003 Reprise Records, a Warner Music Group Company. Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company. Made in .
Publisher on labels:
Published by Freejunket Music/Zeon Music ASCAP . by Len Freedman Music, Inc.
Publisher on insert:
© 2003 Freejunket Music/Zeon Music ASCAP . by Len Freedman Music, Inc.
Recorded at Sear Sound, NYC; Skyline Studios, NYC; River Sound, NYC; Hyperbolic Sound, Maui; Bearsville Studios, Bearsville NY.
Mixed at Presence Studios, Westport, CT.
Mastering: Sony Music Studios
Blue Note Records
In runouts, Optimal plating symbols are mirrored.
Barcode and Other Identifiers
- Barcode (Scanned): 603497849109
- Barcode (Printed): 6 03497 8491 09
- Rights Society: ASCAP
- Rights Society: GEMA/BIEM
- Matrix / Runout (Side A runout, variant 1): R1-48435-A 0603497849109 CB BJ83486-01 A1
- Matrix / Runout (Side B runout, variant 1): R1-48435-B 0603497849109 CB BJ83486-01 B1
- Matrix / Runout (Side A runout, variant 2): R1-48435-A 0603497849109 I1 CB BJ83486-01 A1
- Matrix / Runout (Side B runout, variant 2): R1-48435-B 0603497849109 CB 1= BJ83486-01 B1
Other Versions (5 of 32)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Everything Must Go (CD, Album) | Reprise Records | 9362-48435-2 | Europe | 2003 | |||
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Recently Edited
|
Everything Must Go (DVD, DVD-Audio, Multichannel, Stereo) | Reprise Records | 48435-9 | US | 2003 | ||
|
Recently Edited
|
Everything Must Go (CD, Album, DVD, DVD-Video, NTSC) | Reprise Records | 48490-2 | US | 2003 | ||
| One Hour Sale! (A Conversation With Steely Dan) (CD, Promo, Album) | Reprise Records | PRO-CD-101112 | US | 2003 | |||
|
Recently Edited
|
Everything Must Go (CD, Album, DVD, DVD-Video, All Media, Special Edition) | Reprise Records | 9362-48490-2 | Europe | 2003 |
Recommendations
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2020 USA & EuropeVinyl —LP, Album, Reissue, Remastered, Stereo -
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2018 WorldwideVinyl —LP, Album, Reissue, Remastered, Stereo -
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2019 USVinyl —12", 45 RPM, Album, Numbered, Reissue, Remastered, Special Edition, Stereo -
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Reviews
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Bought mine used. Awesome pressing and sound quality. Clear, deep, and wide soundstage on my Purefidelity Harmony TT, OL Enterprise tonearm, Hana ML cart. -
This record sounds absolutely amazing on my system! 😍 It was mixed and mastered well, but that's to be expected from Steely Dan! 😎
As for the vinyl itself?
My copy is perfectly flat. There is pretty much zero surface noise anywhere on the record 😁 (I say "pretty much" because no record is ever 100% free of pops and clicks) But my copy is dead silent between the tracks!
The only issue with my copy was a very small non-fill about 20 seconds into the last track on Side 2 😕 It's very short, barely noticeable, but it has that tell tale "ripping" sound 😫
Not a major problem. 99.99999% of the record sounds absolutely amazing 😍 It's just that one tiny fraction of a second non-fill glitch. But it still sucks nevertheless! 😫
I can't say I ever found a record manufactured in the 1960s - 1980s with a non-fill issue, but it seems to be a common issue with records these days! 😮 -
Edited 10 months agoExcellent pressing. My copy is silent and flat and the sound is very dynamic and detailed. Wonderful record!!! Just watch out for some sibilance problems on cheaper systems. However, the AP 45 still sounds better.
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I got a good one...and it's really, really good...keep looking if you love this LP, it's out there! -
Eventually got round to listening to this ( EU copy ). Sounds fantastic, great soundscape, must've got lucky with this copy. Well worth hunting down -
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Amazing yet again, Becker & Fagen deliver on this album in spades. How they did it so well for so long beggars description, too bad it was to be their last. Vinyl on my copy is dead-silent and pristine, with wicked-punchy sound that jumps out of the speakers with great fidelity, space & bass to die for. -
Probably the best way to describe my copy is "underwhelming": like most other reviewers, mine has its fair share of pops clicks... pretty odd for a pair of psychopathic perfectionists like Walter & Donald. That said, none of it was that distracting until I got to B3 and the wooshing got so bad that now I can't UNnotice it.
Not sure whether I'll hold onto it--given the Dan completist that I am--or whether it needs to go into the buyback bin and throw a wrench into the next guy's listening session. -
got mine via RSD, perfect copy, no clicks, no pops, no whooshing noise, 100% perfect, got mine in Austria/Europe. Maybe that's the key difference?
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