Harry James & His Big Band* – The King James Version
Label: |
Sheffield Lab – LAB-3 |
|---|---|
Format: |
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Country: |
US |
Released: |
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Genre: |
Jazz |
Style: |
Swing |
Tracklist
| A1 | Corner Pocket | 4:10 | |
| A2 | Lara's Theme (From "Dr. Zhivago") | 3:37 | |
| A3 | Cherokee | 2:18 | |
| A4 | More Splutie, Please | 4:59 | |
| B1 | Traces | 2:48 | |
| B2 | Don't Be That Way | 2:46 | |
| B3 | Sweet Georgia Brown | 3:01 | |
| B4 | Shiny Silk Stockings | 2:03 | |
| B5 | Blues Stay Away From Me | 3:55 |
Companies, etc.
- Recorded At – First Presbyterian Church Of Hollywood
- Phonographic Copyright ℗ – Sheffield Lab Inc.
- Copyright © – Sheffield Lab
- Published By – Bregman, Vocco & Conn, Inc.
- Published By – Robbins Music Corp.
- Published By – Peter Maurice Music Co. Ltd.
- Published By – Shapiro, Bernstein & Co., Inc.
- Published By – Thad Jones Music
- Published By – Music Makers Publ.Co.
- Published By – Low-Sal Music Company
- Published By – Robbins Music Corp.
- Published By – Remick Music Corp.
- Published By – Lynnstorm Music Publ. Co.
- Published By – Fort Knox Music Co.
- Published By – Lois Pub. Co.
- Mastered At – AFM Engineering Corp.
Credits
- Band – Harry James & His Big Band*
- Bass – Dave Stone (2)
- Bass Trombone – Houghton Peterson
- Copyist [Music Preparation] – Mickey Ingalls
- Crew [Moral , Panic Control & Crisis Service] – Sandi Johnson
- Design [Album Design], Photography By, Illustration – Christina Farley
- Drums – Les DeMerle
- Engineer [Design Engineer For Sheffield Lab] – Bud Wyatt
- Engineer [Design Engineer For The Mastering Lab] – Sherwood Sax
- Engineer [Engineering Technicians, Mastering Lab] – Tom Pessagno
- Engineer [Engineering Technicians, Sheffield Lab] – Steve Haselton
- Engineer [Recording Engineer] – Ron Hitchcock
- Lathe Cut By [Lathe Operator] – Mike Reese
- Liner Notes [Music Notes] – Fred Hall
- Management [Manager], Contractor – Frank "Pee Wee" Monte*
- Piano – Tommy Todd
- Plated By [Disc Processing, AFM Engineering] – Richard "Slim" Doss*
- Producer – Lincoln Mayorga
- Producer [Production Assistant] – Jeff Weber*
- Producer, Liner Notes – Doug Sax
- Saxophone – Quin Davis
- Supervised By [Booth Supervision] – Wes Lindskoog
- Trombone – Tom Padveen
- Trumpet – Robert Berrenson
- Trumpet, Leader – Harry James (2)
Notes
Embossed Cover.
A "Direct To Disc" Pressing.
Recorded July 29-30, 1976 at Wylie Chapel in the First Presbyterian Church of Hollywood, CA.
Special thanks to the Reverend Lloyd John Ogilvie and Ted Behr (First Presbyterian Church of Hollywood).
℗ 1976 Sheffield Lab
Cutting Styli: Micropoint & Adamant, Ltd
Pressed in U.S.A.
All runouts are etched.
A "Direct To Disc" Pressing.
Recorded July 29-30, 1976 at Wylie Chapel in the First Presbyterian Church of Hollywood, CA.
Special thanks to the Reverend Lloyd John Ogilvie and Ted Behr (First Presbyterian Church of Hollywood).
℗ 1976 Sheffield Lab
Cutting Styli: Micropoint & Adamant, Ltd
Pressed in U.S.A.
All runouts are etched.
Barcode and Other Identifiers
- Rights Society (A1 thru A4, B2 thru B4): ASCAP
- Rights Society (B1, B5): BMI
- Matrix / Runout (Side A label): SL-22
- Matrix / Runout (Side B label): SL-21
- Matrix / Runout (Side A runout, variant 1): SL 22-2 S
- Matrix / Runout (Side B runout, variant 1): SL 21-4 S XII
- Matrix / Runout (Side A runout, variant 2): SL 22--2 S VII
- Matrix / Runout (Side B runout,variant 2): SL 21-4 S XIV
- Matrix / Runout (Side A runout, variant 3): SL 22-2 S IV
- Matrix / Runout (Side B runout, variant 3): SL 21-4 S V
- Matrix / Runout (Side A runout, variant 4): SL 22-2 S
- Matrix / Runout (Side B runout, variant 4): SL 21-4 S
- Matrix / Runout (Side A runout, variant 5): SL 22-2 S XIV
- Matrix / Runout (Side B runout, variant 5): SL 21-4 S XIII
- Matrix / Runout (Side A runout, variant 6): SL 22-2 S I
- Matrix / Runout (Side B runout, variant 6): SL 21-4 S III
- Matrix / Runout (Side A runout, variant 7): SL 22-2 S II
- Matrix / Runout (Side B runout, variant 7): SL 21-4 S VIII
Other Versions (5 of 16)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| The King James Version (LP, Album, Limited Edition, Stereo, Gatefold) | Sheffield Lab | LAB-3 | USA & Europe | 1976 | |||
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Recently Edited
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The King James Version (LP, Box) | Sheffield Lab | LAB-3 | US | 1976 | ||
|
New Submission
|
The King James Version (LP, Album, Limited Edition, Direct Disc Recording) | Setton | SL-21 | 1976 | |||
|
New Submission
|
The King James Version (LP, Album, Stereo, Gatefold) | Sheffield Lab | LAB-3 | US | 1976 | ||
|
New Submission
|
The King James Version (LP, Album, Limited Edition, Stereo, Gatefold) | Sheffield Lab | LAB-3 | 1976 |
Recommendations
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1974 USVinyl —LP, Limited Edition, Album -
1979 USVinyl —LP, Album, Deluxe Edition, Limited Edition, Stereo -
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1981 USVinyl —LP, Limited Edition, Repress, Stereo -
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Reviews
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Musical Genius Harry James delivers a must own recording, sound quality alone is enough of a reason to own, made a DSD 5.6Mhz copy right away. -
I just played my copy with a shabata stylus for the first time, and it brings new life into it -
Edited 4 years agoWow! Possibly the best record in my collection! Hard to pick a favorite, but this is for sure in the top 10. Stellar in every possible metric, from the quality of the music and performance of the musicians, to the very precise production method that was used. Even among my direct-to-disc collection, this one truly stands out as one of the best recordings I think human beings have ever made! I own both the gate fold and box set versions. Just amazing! As with everything Sheffield Lab, horns sound as real as you are going to get from any recording, period. -
Edited 5 years agoOne of the best sounding records I own, especially considering it being pressed on such a thin, flimsy piece of vinyl. Really nice details in the high frequencies. Not exactly my kind of music, but I still enjoy putting it on sometimes.
Release
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