Big Brother & The Holding Company – Cheap Thrills
Label: |
CBS – S 63392 |
---|---|
Format: |
Vinyl
, LP, Album, Stereo
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Psychedelic Rock |
Tracklist
A1 | Combination Of The Two | 5:35 | |
A2 | I Need A Man To Love | 4:45 | |
A3 | Summertime | 3:52 | |
A4 | Piece Of My Heart | 4:05 | |
B1 | Turtle Blues | 4:15 | |
B2 | Oh, Sweet Mary | 4:05 | |
B3 | Ball And Chain | 9:05 |
Companies, etc.
- Recorded At – Fillmore Auditorium
- Pressed By – CBS Pressing Plant, Aston Clinton
- Printed By – Ernest J. Day & Co. Ltd.
- Made By – Ernest J. Day & Co. Ltd.
- Published By – Copyright Control
- Published By – Chappell & Co.
Credits
- Bass Guitar, Guitar – Peter S. Albin*
- Drums – Dave Getz
- Engineer – Roy Segal
- Featuring, Vocals – Janis Joplin
- Guitar – James Gurley
- Guitar, Bass Guitar – Sam Houston Andrew III*
- Illustration – Robert Crumb
- Other [Sleeve Image] – Approved By Hell's Angels - Frisco
- Photography By [Joplin Photo 1967] – Thomas Weir
- Producer [Uncredited] – John Simon
Notes
Some copies has a “STEREO” sticker on the back.
This version has "Printed and made by Ernest J. Day & Co. Ltd...." at the bottom right of the back sleeve, unlike Big Brother & The Holding Company - Cheap Thrills
UK 1st issue
Cover:
Laminated illustration with cartoons & credits in Crumb's inimitable style includes:
"Live material recorded at Bill Graham's Fillmore Auditorium"
and "Turtle Blues 'vibes' courtesy of Barney's Beanery".
Back of cover unlaminated, imprinted "Ernest J Day" & "GB"
Labels: "Made in England"
℗ 1968
Tracks; A1, A2, A4, B1, B2 & B3 (Cop. Con.) [Copyright Control]
Track; A3 Chappell & Co.
This version has "Printed and made by Ernest J. Day & Co. Ltd...." at the bottom right of the back sleeve, unlike Big Brother & The Holding Company - Cheap Thrills
UK 1st issue
Cover:
Laminated illustration with cartoons & credits in Crumb's inimitable style includes:
"Live material recorded at Bill Graham's Fillmore Auditorium"
and "Turtle Blues 'vibes' courtesy of Barney's Beanery".
Back of cover unlaminated, imprinted "Ernest J Day" & "GB"
Labels: "Made in England"
℗ 1968
Tracks; A1, A2, A4, B1, B2 & B3 (Cop. Con.) [Copyright Control]
Track; A3 Chappell & Co.
Barcode and Other Identifiers
- Matrix / Runout (A-side run-out, stamped): 63392 A1
- Matrix / Runout (B-side run-out, stamped): 63392 B1
- Matrix / Runout (Variation 1. A-side run-out, stamped): 63392 A2
- Matrix / Runout (Variation 1. B-side run-out, stamped): 63392 B2
Other Versions (5 of 224)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
Cheap Thrills (LP, Album, Stereo) | CBS | S 7-63392, S 63.392 | 1968 | |||
Cheap Thrills (LP, Album, Stereo, Terre Haute Pressing, Gatefold) | Columbia | KCS 9700 | US | 1968 | |||
Recently Edited
|
Cheap Thrills (Reel-To-Reel, Album, 7 ½ ips, 4-Track Stereo) | Columbia | CQ 1040 | US | 1968 | ||
Recently Edited
|
Cheap Thrills (LP, Album, Stereo) | CBS | SBP 233584 | Australia | 1968 | ||
Recently Edited
|
Cheap Thrills (LP, Album, Stereo, Gatefold) | Columbia | KCS 9700 | Canada | 1968 |
Recommendations
Reviews
-
When I was a kid in the early 70s my hippy neighbours kept us awake with their dope, sex, and cheap thrill parties. Many years later I heard this album and recognised it from those sleepless nights and Joplin's' voice screeching through the walls. It's kind of a shame I was too young to be invited!
Great album of course. The first two live tracks are full of energy but sound pretty rough and distorted. After that it all raises a notch, sound-wise and opens up nicely. Ball and Chain sounds amazing. Wonderful stuff. -
I wish i could find more reviews like this. Thanks swagski. Everyone should try to write more comprehensive period pieces like this. I knew this was a good album when i snagged it for a buck, but i want to know if what im holding is a classic in someones eyes..this site rocks!
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This album has just got to be the jewel in the crown of Joplin's work. On the sleeve notes 'The Village Voice' review describes Joplin being for you "...Like the girl next door, but you live on the Lower East Side..."
For me, Joplin IS the streetwise village voice of those hot 'n smokey San Francisco nights of the period. She's the embodiment of the lyrics she sings, immersed in a liquor-soaked and gravel-voiced delivery, accentuated by awesome crystal-sweet high notes, all wrapped up in a driving package that's ed by a band who know what they're doing- and just where to do it. They had cut their teeth with an eponymous album on the Mainstream label but this next work, after g with Albert Grossman, has the band really chewing hard and showing its class. The live recording of Ball And Chain captures the essence and spirit of where they were at in mid '68. The other six tracks are studio numbers recorded at Columbia, although their clever engineering work provides a 'back room juke-t' intensity to the performances.
There are no individual highlights on this album. The whole thing is a 1000-watt highlight, right down to the iconic sound of breaking glass on Turtle Blues- no doubt an empty bottle of Southern Comfort that slipped from Joplin's grasp in a magical moment of vocal delivery...
Initially to be titled Dope, Sex, and Cheap Thrills, but vetoed by the band's management, Cheap Thrills is an album which captures that 'turn on, tune in, drop out' psychedelic San Francisco moment of the late 60s perfectly. The sleeve's "Approved by Hell's Angels - Frisco" logo and Robert 'Mr Natural' Crumb's cover art simply adds to the thrill.
Release
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