Tracklist
Rise Above | 2:17 | ||
Spray Paint The Walls | 0:32 | ||
Six Pack | 2:18 | ||
What I See | 1:47 | ||
T.V. Party | 3:11 | ||
Thirsty & Miserable | 2:05 | ||
Police Story | 1:30 | ||
Gimmie Gimmie Gimmie | 1:50 | ||
Depression | 2:45 | ||
Room 13 | 2:03 | ||
Damaged II | 3:23 | ||
No More | 2:23 | ||
Padded Cell | 1:50 | ||
Life Of Pain | 2:48 | ||
Damaged I | 3:50 |
Credits (11)
- Charles Dukowski*Bass
- Robo (3)Drums
- Francis BuckleyEngineer
-
Chuck VogtEngineer [Assistant]
- Greg GinnGuitar
- Dez CadenaGuitar, Vocals
Notes
Final Black Flag release to feature Robo (3) on drums.
Versions
Filter by
41 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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SST Records – 9502 | US | 1981 | US — 1981 | ||||
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SST Records – 9502 | US | 1981 | US — 1981 |
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SST Records – 9502 | US | 1981 | US — 1981 |
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Roadrunner Records – RR 9956 | Benelux | 1982 | Benelux — 1982 |
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SST Records – 9502 | US | 1982 | US — 1982 | ||||
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SST Records – 9502 | US | 1982 | US — 1982 |
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Roadrunner Records – RR 9956 | Netherlands | 1982 | Netherlands — 1982 |
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Roadrunner Records – RR 9956 | Benelux | 1982 | Benelux — 1982 |
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SST Records – SST 007 | US | 1984 | US — 1984 |
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Roadrunner Productions B.V. – RR 49956 | Netherlands | 1984 | Netherlands — 1984 |
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SST Records – SSTC 007 | US | 1985 | US — 1985 | ||||
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SST Records – SSTC 007 | US | 1985 | US — 1985 |
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SST Records – SST007 | UK | 1985 | UK — 1985 |
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SST Records – SSTC 007 | US | 1985 | US — 1985 |
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SST Records – SSTC 007 | US | 1985 | US — 1985 |
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SST Records – SST007 | UK | 1985 | UK — 1985 |
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Roadrunner Records – RR 34 9956 | Benelux | 1986 | Benelux — 1986 |
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SST Records – SST CD 007 | US | 1988 | US — 1988 | ||||
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SST Records – SST 007 | US | 1989 | US — 1989 |
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SST Records – SST 007 | UK | 1989 | UK — 1989 |
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SST Records – SST 007 | US | 1990 | US — 1990 |
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SST Records – SST 007 | US | 1990 | US — 1990 |
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SST Records – SST 007 | US | 1990 | US — 1990 |
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SST Records – SST 007 | US | 1990 | US — 1990 |
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SST Records – SST CD 007 | Japan | 1995 | Japan — 1995 |
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SST Records – SST 007 | US | 1998 | US — 1998 |
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雲南民族文化音像出版社 – HDCD-324 | China | 2003 | China — 2003 |
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SST Records – SST CD 007 | Japan | 2011 | Japan — 2011 |
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SST Records (3) – 9502 | 2019 | 2019 |
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El Sistema Me Obligo A Hacerlo – none | Argentina | 2023 | Argentina — 2023 |
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SST Records – SST 007 | US | US |
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SST Records – SSTC 007 | US | US |
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SST Records – SST 007 | US | US |
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SST Records – SST CD 007 | US | US |
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SST Records – SST CD 007 | US | US |
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SST Records – SST 007 | US | US |
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SST Records – SSTC 007 | US | US |
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SST Records – SSTC 007 | US | US |
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15×File, WAV, Album, Reissue, Stereo, 16-bit / 44.1 kHz (Explicit)
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SST Records – none | Worldwide | Worldwide |
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Recommendations
Reviews
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referencing Damaged (LP, Album, MCA Distribution Logo) 9502
My copy has radio promo station recommended air play on front. Sounds great. Might sell it dunno it's very beautiful -
referencing Damaged (LP, Album, MCA Distribution Logo) 9502
Does anybody have a pdf of the lyric sheet you can get from SST? [email protected]
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Edited 2 months ago
referencing Damaged (LP, Album, Reissue) 9502
As Jungluthr states, this is a beast of a mastering job! Aggressive, in your face loud yet reveals nice subtle variances in the mix. Reminds me of the OG Clash UK releases where guitars just jump from the speakers yet retain all the midrange and thumping bass. The volume is rather modest so you can fucking crank the sound to 11, without any shrillness or sibilance. This attacks you. Get it. -
Edited 4 months ago
referencing Damaged (LP, Album, Reissue, Repress) SST 007
Anyone else’s include an SST / Cruz Records insert? Pretty sure this is the version I have, but looking for confirmation… -
referencing Damaged (LP, Album) RR 9956
This version has the super thin European cardboard sleeve that seems to be standard for most Euro records of the period. It's a good pressing and I'm so used to listening to it for 40 years now that the version without Louie Louie and with the other TV Party sounds weird... -
referencing Damaged (LP, Album, MCA Distribution Logo) 9502
This album is amazing. Thats all I can say (:
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This 16-bit Qobuz reissue sounds.....good. There's a lo-fi vibe that actually suits the punk ethos. Given that this was recorded in 1981 on likely a shoestring budget is also a factor. The gritty garage sound does not hide the amazing energy of this epic album.
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referencing Damaged (LP, Album, Reissue) 9502
I think this is my pressing. But, it is SST Records, you will never be certain unless you are the original owner and the moment you bought it. Ha! SST likes to keep you guessing! I once had a nervous breakdown trying to identify a Husker Du “Zen Arcade” pressing… -
Edited 11 months ago
referencing Damaged (LP, Album, Repress, Barcode) SST 007
This is the only pressing that i ever heard and own and sounds very good in my opinion i dont know how much better can we get from this -
referencing Damaged (LP, Album, Repress, Barcode) SST 007
Anyone know how this one compares to an original 1981? I think it sounds great, but I’ve always been intrigued to hear how it holds up to an 81 orig
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